![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. M.Dickinson. Flashbacks to a Continuing Struggle - Margaret Dickinson Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; Margaret Dickinson; revolutionary screen; frelimo Downloads: 16 |
![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. M. K. Abonnenc. Notes autour Des fusils pour Banta. Un film de Sarah Maldoror - Mathieu K. Abonnenc Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; Sarah Maldoror; Abonnenc; revolutionary screen Downloads: 24 |
![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. Sarah Maldoror in conversation with Mathieu Kleyebe Abonnenc Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; Sarah Maldoror; revolutionary screen; Mozambican revolution Downloads: 44 |
![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. T.Castro. Artistes-historiens? Archives, memoire et explorations documentaire Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; artist historian; revolutionary screen Downloads: 30 |
![[audio]](/images/mediatype_audio.gif) | The Militant Image. A Cine-geography. N.Brenez. Edouard de Laurot : l'engagement comme prolepse - Nicole Brenez Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; Edouard de Laurot Downloads: 74 |
![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. R.Gray. The Vanguard of the World. Mozambican Cinema and the turn to Militancy in African Liberation - Ros Gray Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; Ros Gray; revolutionary screen; Mozambican revolution Downloads: 32 Average rating: (1 review) |
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